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Ýåã ãÔÛæáæä ÈãæÊåã.
ÇáÌãíÚ ßÇäæÇ ÏÇÆãÇ íÓÊÍÞæä Çááæã :
ÒÌÇÌÉ ÇáÎãÑ ÇáÃÎíÑÉ ÇáÝÇÑÛÉ¡
ÇáãÓÇãíÑ ÇáÕÏÆÉ æÑíÔ ÇáÏÌÇÌ
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ÇáÐí ßÇä íÑÝÖ Ãä íÍÖÑ
ÅáÇ ãÑÉð æÇÍÏÉ Ýí íæãò ãõÍóãøáò ÈÇáÈÑÇÛíË
Ííä ÌÇÁ íÌÑø äÝÓå ÚÈÑ ÇáÝöäÇÁ
ÈÇÍËÇð Úä ßÈÔ ÝÏÇÁ.
ÝÇÎÊÈÃÊ Ýí ÇáãØÈÎ ÊÍÊ ßíÓ ÞÕÇÕÇÊ ÇáÞãÇÔ ÃÑÝÖõ Ãä ÃÊÐßøÑó ÇáãæÊì æÇáãæÊì ÓÆãæÇ ãä ÇáÃãÑ ÈÑãøÊå æáßä ÃäÊ – ÅãÖö ÃäÊ ÇãÖö¡ ÇãÖ ÚÇÆÏÇð Åáì ÇáÃÓÝá ÏÇÎá ÇáãÞÈÑÉ ÇÖØÌöÚú ÍíË ÊÚÊÞÏ Ãä æÌæåóã åäÇߺ ÊóÈÇÏáú ÇáÃÍÇÏíË ãÚ ÃÍáÇãßó ÇáÞÏíãÉ ÇáßÑíåÉ A Curse Against Elegies Anne Sexton Oh, love, why do we argue like this?
I am tired of all your pious talk.
Also, I am tired of all the dead.
They refuse to listen,
so leave them alone.
Take your foot out of the graveyard,
they are busy being dead.
Everyone was always to blame:
the last empty fifth of booze,
the rusty nails and chicken feathers
that stuck in the mud on the back doorstep,
the worms that lived under the cat's ear
and the thin-lipped preacher
who refused to call
except once on a flea-ridden day
when he came scuffing in through the yard
looking for a scapegoat.
I hid in the kitchen under the ragbag.
I refuse to remember the dead.
And the dead are bored with the whole thing.
But you - you go ahead,
go on, go on back down
into the graveyard,
lie down where you think their faces are;
talk back to your old bad dreams. --------------------------------------- ÊÚÊÈÑ ÇáÔÇÚÑÉ æÇáßÇÊíÉ Âä ÓßÓÊæä äãæÐÌÇð ááÔÚÑÇÁ ÇáÐíä íÓÌáæä ÇÚÊÑÇÝÇÊåã ãä ÎáÇá ÞÕÇÆÏåã. ÝÞÏ ßÊÈÊ Úä ÇáÇßÊÆÇÈ æÇáÔÚæÑ ÈÇáæÍÏÉ æÇáíÃÓ æÇáÇäÊÍÇÑ. æßÐáß ßÊÈÊ Ýí ãæÇÖíÚ äÓÇÆíÉ ßÇáØãË æÇáÅÌåÇÖ ÈÇáÅÖÇÝÉ Åáì ÇáÌäÓ æÇáÎíÇäÉ ÇáÒæÌíÉ. æáÏÊ Âä åÇÑÝí ÛÑÇí¡ ßãÇ ßÇä ÇÓãåÇ ÞÈá ÇáÒæÇÌ¡ Ýí ãÏíäÉ äíæÊä¡ æáÇíÉ ãÇÓÇÔæÓÊÓ Ýí 9 ÊÔÑíä ÇáËÇäí / äæÝãÈÑ ÚÇã 1928¡ æÞÖÊ ãÚÙã ÃÚæÇã ØÝæáÊåÇ Ýí ãÏíäÉ ÈæÓØä ÍíË ÊáÞÊ ÊÚáíãåÇ Ýí ÇáãÏÇÓ ÇáÍßæãíÉ Åáì Ãä ÈáÛÊ ÇáÓÇÈÚÉ ÚÔÑ ãä ÚãÑåÇ. Ýí ÚÇã 1945 ÇáÊÍÞÊ ÈÅÍÏì ÇáãÏÇÑÓ ÇáÏÇÎáíÉ¡ æÝí Êáß ÇáÃËäÇÁ ãÇÑÓÊ ßÊÇÈÉ ÇáÔÚÑ æÇáÊãËíá. ÈÚÏÆÐò ÏÎáÊ ßáíÉ ÌÇÑáÇäÏ ÌæäíæÑÒ áßäåÇ áã Êßãá Óæì ÓäÉ æÇÍÏÉ Ëã ÊÒæÌÊ ãä ÃáÝÑíÏ ãæáÑ ÓíßÓÊæä ÇáËÇäí æåí Ýí Óä ÇáÊÇÓÚÉ ÚÔÑÉ. Ýí ÚÇã 1953 ÃäÌÈÊ ÓíßÓÊæä ØÝáÉ¡ æÝí ÇáÚÇã ÇáÊÇáí ÚÇäÊ ãä ÍÇáÉ ÇßÊÆÇÈ ãÇ ÈÚÏ ÇáæáÇÏÉ æÃÕíÈÊ ÈÇäåíÇÑ ÚÞáí ÏÎáÊ Úáì ÃËÑå ãÓÊÔÝì ááÃãÑÇÖ ÇáÚÕÈíÉ. Ëãø ÏÎáÊ ÇáãÓÊÔÝì ãÑÉ ÃÎÑì Ýí ÚÇã 1955¡ ÈÚÏ æáÇÏÉ ØÝáÊåÇ ÇáËÇäíÉä æÊã ÅÑÓÇá ØÝáÊíåÇ ááÚíÔ ãÚ æÇáÏíú ÒæÌåÇ. æÝí Êáß ÇáÓäÉ ÃíÖÇð ÍÇæáÊ ÇáÇäÊÍÇÑ. æÞÏ ÊßÑÑ ÏÎæáåÇ ÇáãÓÊÔÝì ÈÚÏ Ðáß.
ÔÌÚåÇ ØÈíÈåÇ Úáì Ãä ÊÊÇÈÚ ÇåÊãÇãåÇ ÈßÊÇÈÉ ÇáÔÚÑ. æÝí ÎÑíÝ ÚÇã 1957 ÇáÊÍÞÊ ÈÏæÑÉ ááÔÚÑ Ýí ãÑßÒ ÈæÓØä áÊÚáíã ÇáßÈÇÑ. æÞÏ ãäÍåÇ Ðáß ÝÑÕÉ ÇáÞíÇã ÈÔíÁ ÊÍÈå æÊÞæã ÈÊØæíÑå¡ æÓÇÚÏåÇ Úáì ÊÍãøá ÇáÍíÇÉ áÃØæá ÝÊÑÉ ããßäÉ. áßä ÓíßÓÊæä áã ÊÓÊØÚ ÇáÕãæÏ Åáì ãÇ áÇ äåÇíÉ. ÝÚáì ÇáÑÛã ãä ÃäåÇ ÍÞÞÊ äÌÇÍÇð ßÈíÑÇð æÝÇÒÊ ÈÌÇÆÒÉ ÈæáíÊÒÑ ááÔÚÑ Þí ÚÇã 1967¡ ÝÅäåÇ Þí ÇáäåÇíÉ ÇäåÇÑÊ ÃãÇã ÇáãÑÖ ÇáäÝÓí. æÝí 4 ÊÔÑíä ÇáÃæá ÚÇã 1974 æÖÚÊ ÍÏÇð áãÚÇäÇÊåÇ ÈÇáÇäÊÍÇÑ¡ æÏÝäÊ Ýí ãÏíäÉ ÈæÓØä¡ ãÇÓÇÔæÓÊÓ.
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