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ÃÔíÇÁ ßËíÑÉ ÊÈÏæ ãáÃì ÈöäöíóøÉ ÇáÎÓÇÑÉ
ÍÊì Ãä ÎÓÇÑÊåÇ áíÓÊ ÈßÇÑËÉ
ÅÎÓÑ ÔíÆÇð ßá íæã.
ÊóÞóÈøáú ÇáÇÑÊÈÇß áÖíÇÚó ãÝÇÊíÍ ÇáÈÇÈ¡ ÇáÓÇÚÉ ÇáÊí ÊÞÖíåÇ ÈäßÏ.
Ýäø ÇáÎÓÇÑÉ áíÓ ãä ÇáÕÚÈ ÅÊÞÇäå.
Ëõãø ãÇÑÓ ÇáÎÓÇÑÉ ÃßËÑ¡ ÇáÎÓÇÑÉ ÈÕæÑÉ ÃÓÑÚ:
ÇáãæÇÖÚ æÇáÃÓãÇÁ¡ æÇáãßÇä ÇáÐí ßäÊ Êäæí Ãä ÊÓÇÝÑ Åáíå.
Ýáä íÌáÈ Úáíß Ãíñø ãä åÐå ÇáÃÔíÇÁ ßÇÑËÉ.
ÖíøÚÊ ÓÇÚÉ ÇáíÏ ÇáÊí ÊÚæÏ áÃãí.
æÇäÙÑ! ÂÎÑ ÈíÊ Ãæ ÇáÈíÊ ÇáÐí ÞÈáå ãä ÈíæÊí ÇáËáÇËÉ ÇáÌãíáÉ ÖÇÚ.
Ýäø ÇáÎÓÇÑÉ áíÓ ãä ÇáÕÚÈ ÅÊÞÇäå.
ÖíøÚÊ ãÏíäÊíä¡ ãÏíäÊíä ÑÇÆÚÊíä.
æÃÚÙã ãä Ðáß¡ ÈÚÖ ããÇáß ßäÊ ÇãÊáßåÇ¡ äåÑÇä¡ ÞÇÑÉ.
ÃÝÊÞÏåÇ ÌãíÚÇð¡ áßä áã Êßä Êáß ßÇÑËÉ. –
ÍÊì ÎÓÇÑÊí áß (ÇáÕæÊ ÇáåÇÒá¡ ÇáÅíãÇÁÉ ÇáÊí ÃÚÔÞåÇ)
ãÇ ßÇä Úáíø Ãä ÃßÐÈ.
ãä ÇáÌáöíø Ãä Ýäø ÇáÎÓÇÑÉ áíÓ ãä ÇáÕÚÈ ÅÊÞÇäå
ÍÊì æÅä ÈÏÇ ÇáÃãÑ ßÃäãÇ åæ (ÃõßúÊõÈúåÇ!) ßÇÑËÉ.
Elizabeth Bishop
One Art
The art of losing isn't hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. I lost my mother's watch. And look! my last, or next-to-last, of three beloved houses went. The art of losing isn't hard to master. I lost two cities, lovely ones. And, vaster, some realms I owned, two rivers, a continent. I miss them, but it wasn't a disaster. -- Even losing you (the joking voice, a gesture I love) I shan't have lied. It's evident the art of losing's not too hard to master though it may look like (Write it!) a disaster.
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